The Lost Gallery

As reported here before, I discovered that I’d never edited the rough photography gallery made at the 2018 Cary Ballet Conservatory 6 PM Sunday performance of the “Nutcracker”. Literally, unseen. My discovery was prompted when the wonderful Dancer and Actor who has performed as “Herr Drosselmeyer” in the Cary Ballet Company productions of the “The Nutcracker”, asked for some photographs. To show some folks who had never seen it. Retired as I am, I set off into archive land, thinking I could give him a well deserved chronology and evidence of his artistry, from my work of 2011 to 2021, in an afternoon or two. Not even close.

So here it is, finally! – The Lost Gallery: 6 PM Sunday, 2018 “Nutcracker”

It was a bit of photographic special. The last of a long week, had everything, let’s take some chances! Added a 1.5x Tele Convertor to my tripod mounted 100-300 F4 Zoom. So I was at 150 mm to 450 mm focal length – capable of making head shots from rear of theater. But high risk, including the loss of an aperture stop and narrower Depth of Field -lots of soft and out of focus images. Still had my 50-135 mm on the other body. 20% kept.

“A Rit Of Fealous Jage!”

My young, dog rescuing, soon to be moved neighbor (with good reason) lent me some movie DVDs. Watching “Breakfast at Tiffany’s” aged 75 is way different than seeing it at age 16. But that’s not what this is about.

This rare, triple Spoonerism (above) is from the 1964 movie directed by Blake Edwards (below), who I discovered, also directed “Breakfast At Tiffany’s”, “Operation Petticoat”, “Waterhole #3” and “The Pink Panther”! Movie night!*

* Disclaimer – It’s “Blazing Saddles”

Before The Call -Redux

Almost finished printing & framing my living room gallery. Ordered this version from my printer today – 20″ x 16″, Fuji Deep Matte Paper on Standout Mount. Destined for one of the Neilsen 13 Float Frames I have on hand. I was never satisfied with my framed prints until I saw a Herb Ritts Exhibit at La MEP in Paris, 2016. And couldn’t “see” this image, until now.

Wildly different from the color version I posted here, in 2011. But much closer to the spirit of dancers in theater. Much closer to the magic.

Stage Rehearsal for “Anastasia” – Cary Ballet Conservatory, June 2011