I’m pretty sure I made photographs of the first event at the newly renovated Cary Arts Center. It was Sunday. A “Wet Paint” sign was taped to the stage riser and the Brussels Chamber Music Orchestra, jet lagged, were trying to figure out the space
The last time, I’m pretty sure I made photographs there was the Cary Ballet “Nutcracker”, 2021. In my usual place, next to the video guy, behind my tripod and just left of a pillar in the last row of the theater, I’d done my check and re-check of gear. A guy came up and plopped down in a seat near me and somehow, we started talking. As usual, I bragged on the Cary Ballet Company dancers. And told him how I “lost” some every year to ballet company contracts. He grinned and said , I know, I’m taking one with me.
We exchanged cards. His said “Nick Mullikin, Associate Artistic Director, Nashville Ballet”. And then I was telling him about “La Vie En Rose” and Marie Konrad and Paris and this heart breaking performance I’d found by Rhiannon Giddens. And he grinned again and explained about spending months on the road with Rhiannon, working on choreography for Spoleto. Where I lived in Charleston for the very first. It is, a very small world. And she is wonderful.
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